Cat fountains must absolutely have food safe glazes, but what makes a glaze food safe? It is not simply a matter of containing no lead, rather, as is explained below, there are a several factors which determine if a glaze is indeed food safe. How can you know?
Clearly, you have to know what is in the glaze. For centuries lead was used in glazes as a flux, to significantly lower the melting point temperature, thus saving considerably on fuel costs and firing time. It also gave great colors. You can be fairly certain that any pottery made in America will contain no lead, due to legal regulations. How about if the cat fountain comes from China? Are they stringent about this? There is no way to know. But beyond that, there is a great deal more to being ‘food safe’ than containing no lead.
For example, there are a variety of colorants which are toxic – Barium, Lithium, Cadmium which are tempting to use for the colors that can be achieved – we use none of them. But even normally safe colorants such as copper oxide or cobalt carbonate can become harmful if too much is used. When you buy a ready made glaze, whether in powder form or wet, you will not get the recipe for it and it will normally not say if it is food safe. Because you won’t know what is in it you won’t know if it is food safe.
Rather than buying ready made glazes for our cat fountains, as many potters do, we make our glazes from raw minerals. Not only does this make it possible for us to be continually creating new colors and effects, this is the only way to know exactly how much of what minerals a glaze contains and to be able to certify that they are stable and food safe.
We base all our glaze recipes on the principles laid down by the incredibly extensive research of scientists/potters, Ron Roy and John Hesselberth as expressed in their book, Mastering Cone Six Glazes, which provides recipes for base glazes which can then be used to create a variety of new glazes. By observing the authors’ recommendations for limits for which minerals and what percentage of colorants to use, we are assured of the highest quality, safest glazes while being able to continually experiment and come up with new colors.
Before you buy a cat fountain from somewhere else try to verify that the potter knows exactly what is in his glazes and that they are safe. If he doesn’t make them himself, he doesn’t know and neither can you. Naturally, making our own glazes from scratch takes time. It takes a lot of time. The various minerals must be carefully weighed out, one by one, using a gram scale. There are normally from 5 to 9 components in one glaze and we usually make 10,000 grams dry weight at a time if we are sure of the glaze. (If we’re testing then we make 500 grams.) The mixture is then dry mixed, added to water and wet mixed. It is then screened through a 60 mesh sieve and mixed again before using. To test a new glaze, rather than making test tiles, we prefer to make test pinch-pots such as those seen to the right. They give us a more accurate result we can be assured of carrying over onto the finished fountains.
Most studio potters brush or dip their ware to apply the glaze. We have found neither approach satisfactory for the creation of our cat fountains. Instead, we spray our glazes. We have a spray booth with a high powered vent fan. We wear protective gear and with this method we are able to produce beautiful finishes on our cat fountains while insuring our own well being. This is important not only for appearance. A very smooth surface is also easier to clean and keep clean.
We have also found that layering glazes – spraying one over another – is a magical way of creating phenomenal colors. Doing so doubles the glazing time, glaze materials and work but the results are worth the extra effort and expense.